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Vernal pools – part 4

Even though we’ve had a lot of rain this “spring”, the water levels in the vernal pools is way down. I didn’t get exactly the same positions as before, but close. Check out how green it is though!

The tempo is decreasing

The light was a little different this time out. It was sunny with some drifting clouds and so it was really bright, but I did my best to shoot when the hot spots were dialed down and I think it really pops. I love the ferns and overhanging branch in this next shot. I think they add an intimacy and closed in feeling that the early shots didn’t.

Affinity for possibility

Because I was suited up with lots of good bug repellent, I decided to explore a little bit and found some pools I hadn’t noticed on prior trips. This one is near the one above, but behind it. You can tell by the fact that there isn’t much growing right in it that it comes back again and again and is probably pretty wet all the time. The ferns are mostly ostrich and royal.

Ferociously soft

I got a little turned around in the woods, but little wonderful ‘scapes just kept presenting themselves and I’ve discovered that maybe I was wrong that vernal pools are hard to showcase well. This one seemed set up to be photographed – the flanking trees, the intense greenery surrounding it – just perfect.

A shouted whisper

It was a good outing and I’m glad I braved the bugs. BTW – soaking your clothes in permethrin works! I got a can of it last year, but didn’t use it. This year though because I got so grossed out by a tick invasion I decided to try it. Socks and pants got sprayed and so did my boots and I didn’t get bitten through my pants like I have in the past. I doused myself with deet as well as wore a mosquito net on my head. That made it a little hard to shoot (I missed focus completely on some shots), but it was worth it not to get bitten and driven crazy, which meant I wouldn’t have made another discovery. But that will have to be another post.

Welcome that spring sun!

Let’s talk about light for a minute. This is a photography blog after all, right? So here’s where I wax on and on about the blue hour or the golden hour, ok? Or maybe the drizzly overcast day that’s perfect for waterfalls.

Ha!

Nope. Not this little gray duck. Sure, I love that light and it is a dream to work with, but what if you don’t have it? Pack it in? Give up and go home?

Nah.

Work with it. Make it work for you.

A lot of photography blogs talk about vision, too. Bleah. Vision. Yeah, you have to have it and an understanding of how to work with light, but not just one kind of light. All kinds. The better you are at dealing with different situations, the better photographer you will be. You will have more “keepers” and more fun. I mean, who wants to go out in the dark all the time? Or on rainy overcast days that are just pretty blah? There is a time and place for that, but a gorgeous, sunny day can be equally rewarding for you and your camera. Especially after a long, gray winter. Spring days are just made for sun and I’m here to tell you it can work. Really.

So, where to begin. I went out in April on one of the only sunny warm days we had because it was too beautiful to be inside. The spring ephemerals were blooming and because the canopy hadn’t filled in much, there was mostly direct sunlight on the forest floor. No leaves to filter and soften it. Nope. Some was direct and harsh.

Did you shudder just then? Direct and harsh are two words most photographers have nightmares about. Oh yeah, very nightmarish right?

Blood and rattlesnakes

So lets go back to vision for a minute. My vision for this shot was the backlighting. Bloodroot is perfect for this because of those leaves and that the flowers, while fragile, have great presence and structure. Because I didn’t have even lighting, I needed to find scenes that worked with the direct sunlight I had. How could I showcase these beautiful wildflowers under these conditions? Backlighting immediately sprang to mind and so I worked pretty hard at cleaning up this next little scene in order to really play up the individual and highly specific beauty of bloodroot. I also waited on the light quite a bit. When I was finally ready to shoot the flower was in the shade of a tree and so I had a light snack while I waited for the earth to turn and give me what I wanted –

Interpretation of dreams

Another tip for working with this light comes in the processing. I use Lightroom, but most other software in this category will allow you to control the highlights in the shot. I dimmed them just a bit so that the detail in the petals came back, but not so much that they don’t appear white and crisp.

Going back to the idea that you need a flower with substance in this kind of light, take trout lily as an example. They cry out for backlighting!

Idolatry

Backlight isn’t the only direct sun that can work for wildflowers. How about sidelighting? Early meadow rue grows like crazy around here and each flower looks like some kind of crazy lampshade from a 70s pizza parlor and I love them. You literally have to stop breathing to photograph them; they’re that sensitive to the least movement of air. But wow, they’re so unusual that I always have to give it a go and when I saw these in some early morning sun, I braved the mosquitoes.

Early early

Just look at the texture of those little stamens! And the petals, which mostly go unnoticed, those even get a bit of attention. Of course the background has to be right for this kind of thing, too. Often it has to be in shade in order to get the subject to stand out. A little patience and observation can pay big dividends.

Last let’s take a look at frontlighting. It’s probably the least popular because it tends to blow out the highs and lows in any image and can make things look flat and harsh. A challenge! I accept.

I love the hardiness of spring ephemerals. They often sprout and bloom when we still get temperatures below freezing and it doesn’t seem to bother them at all. They’re delicate yet tough and when I spied this little cluster of spring beauty, that idea came into my head. To me the light illustrates the duality of the flower. It is quite tiny and delicate in appearance, but can withstand the harsh Wisconsin springs.

Beauty spot

Yup, that light sure is direct, but the shadows are really great at showing texture and structure. Again, it needed a darker background to work and I did a bit of pulling back in the highlights so that you can see those petals in all their stripey pink glory. Oh and that ant totally photobombed me.

So there’s how I work with direct sunlight in wildflowers. I hope that the next time you have a sunny day on your hands you don’t hide indoors with your camera or go out in nature without it. There is beauty and distinction to be found out there if you look for it and know how to make it work for you.

 

Mmmm, pointy.

Since moving to Wisconsin I’ve encountered many new-to-me wildflowers. In NH I traveled about 45 minutes to photograph round-lobed hepatica and these days my yard is full of them. Now I travel not quite as far to find pointed-lobed hepatica which is not found in my yard, but boy was the section of Ice Age Trail blanketed in them!

Welcome to the greening

The first difference I noticed was that pointed-lobed (PL) come in more colors than does round-lobed (RL) and the instances of those colors seem to be common and white less so. Nearly the opposite of RL.

Clique

Taking pictures of these beauties was a little difficult because they were so thick on the ground along with other wildflowers. It was really hard to take a step without crushing something. Impossible in spots even though I walked slowly, carefully and kept my eyes open. By taking my time this way, I noticed that the texture of the flower petals seems smoother and waxier with the PL variety.

Craving

Another thing I noticed was that many of the flowers have double petals – the percentage is much higher in PL than in RL. I don’t know if it’s a random genetic mutation or a strategic adaptation tied to pollination, but it was noticeable.

Sharing secrets

Also the plants themselves are larger – on average 50%. The blossoms are more numerous as well as being taller.

Pointy leaves!

All-in-all it was fascinating to find them in such profusion and that they were so distinct from their round-lobed cousins.

Ice cream social

I have a feeling I’ll be visiting more of the areas that have these beauties come next spring!

I’ve been breeched

You know how you can walk past something again and again and not notice it or what it is, but when you do you feel like a dope? I had that experience recently when I hit part of the Ice Age trail in search of a particular wildflower I knew was there, but ended up being bowled over by one that I didn’t.

Well kind of. Sure, I noticed its bright green, feathery leaves and thought them beautiful. The problem was when I noticed the flowers were long gone. Check out what it was –

Dutchman’s breeches!!

I’ve long known about these guys and how they’re supposed to be so common, but I’d never seen them before. They were right under my nose the whole time, I just didn’t recognize them without their pants on. Once I did though, I spent a lot of time looking and photographing them. Here’s what they look like when they’re young –

Baby breeches

As you probably can tell, they are in the same family as bleeding hearts. My guidebook tells me they are only pollinated by bumblebees since they are the only ones to have a proboscis long enough to get in there. I saw plenty of girls on them, but wasn’t lucky enough to capture one at work. Al Mullen was though –

Hang In There Baby

Isn’t she great?? Early spring wildflowers are so important to bees emerging from hibernation like the bumblebee. They do not store food for the winter and so finding it quickly and in abundance is key to their survival. In return, they specialize in certain flowers and are key to that species proliferation as well. Wonderful how that works, huh?

Something else that works is black and white for these flowers. Check it out!

What’s your perspective?

The tonal range here just nails a black and white. The texture, too, adds a richness that I think is needed in a monochrome photo.

We interrupt this blog

Recently I almost lost my dad. Nearly half-orphaned I was. Me. At close to 50.

No matter what your age, if you get along at all with your ‘rents, losing them is traumatic and I’ve been spoiled by very healthy ones so this disaster really made me mental.

Not to mention I’m really far away now and couldn’t be there at all to aid and comfort.

He’s home now, but boy is there ever a long road ahead and a huge pile of bills.

So. Partially because my dad is a curmudgeon about the internet, I’m using it to help him. (See that, the internet can be used for good, dad!)

Well, you’re going to help him. At least I hope so. After all, how many casseroles can mom and dad eat?

Please consider giving a few dollars towards his Recovery Fund.

I know, I know. You’ve got a million other things to do and a million other things to spend your money on.

But how many of those things will make me cry? Go on. Make me cry. I dare you.

For those who missed the URL it’s here – Dick Smith’s Medical Fund

And if you want to share this post – reblog it, tweet it, facebook or instagram it. Feel free. That will also make me cry.